米兰九
口径

剧情简介

Fernando Di Le"o#$'s= ( Milano C(^ alibro ;9 "-[is an out-an?d-out m)a"sterpiece of Ita
<lian Crime cinema an#*d`, in my o,[pi _&n@ io/n, one )_ \of the most &(-a\)ston! ^i\>`sh+in@@!_g crime stori+)e? s]+`, ev'[er t+old. The first film %/in D,i Leo's e#`.xcellent ':]+*Mi li-'=eu/' ' tr=#*ilogy, M][ila(/ no Calibro 9 ^@was followed  \?by La Mala O`(rdin]/a$ (aka']$. M >+anhunt, also 1972) an`#$d the brillia_nt* Il ":Boss (1973);>
.  The thr<)?ee fil)&;ms.; a++r\e not con'&nected sto')[ry-wise, but all three are excellent, a,,,nd highl[@_y realistic+$ ^]#portra)`yals^ o%f or=.ganized crime. &#As far as $:I am* (\con$cerned Ma'^%nhunt i*s (` allthough( excelle/nt) sligh$tly#&# i]nferior to this  one \and= Il= Boss which*^ bot$*h stand
_ out as @abs"olu[$.=&te all_.`-tim `e highli$ghts of cr!i.=me c\ i #nema.; Mil_ano Cal:'ibro 9 is t &%he best of the +m =all, a fi>]lm t
=h:;"at is astonis[hing i:&n all asp<;ects, be it the ingenious plo=t tha
)/*,t, ^ap"$[ar+^t f=$rom a %)<compelli\
n'\.
:g `)&story an: d@$! clever twist <s%"<, inc!<ludes so,&cial ()cri`+tic@'ism, the perform#ances, t! h#e gri .tty=\ atmosphere and su;
+.?spe<[nse ,or the brillia!/+nt score. )- %I can hardly find the right words to express my'  ad@"?m`irati)on for !'_this;-: maste_% [<rp !iece which ? \>.easily ranks among the  gre atest Gangster flic_:?*ks>` eve,,r b$ rought to screen.　　Gasto!'ne Mosch^in
?stars /;:a;)s Ugo Piazza, a t_]ough and = @\ellip+``
t %ical ex-co$nvict+ who
^ has just been re)`l+/\eased fr^`om>?> pri.son%&/^. Imm?>e
:
diately aft)/:er his release_$&, Ugo is approached by m,^/e^<`mbers ]^=of the "\Milan mo:b /.*lea
` d ?b)[y ( the@^ i/r
&"ascible>\  gan#.gste?r ?Roc,?co\ \(Mari,&o<^` Adorf;), as th
ey \+suspect him 'to be respon<__sible fo*:r the disappearance  of a larg,$e@,
(_ sum of money belo$"]<n*\^gin%/g to> their,$ boss, an A!<me*r!i; can )#(Lionel @ \`Stander) \?!who c)o!n_ ,tr%ol s the org-a"nized crime in Mil&'"@a n...　　Milano Calibro 9 is a film that del< \>iv
@ers ][&:an aston.=
is hingly_& realistic .=mood [\of the -&_underworld like hardly another. The+  intriguing storyline goe.%s i.@?n(:^ ha"nd wi@
th i%@
[nteresti/ng charact(-e[`)rs",]'  raw ?
atmos:phe-%)re, s=/u?^spense=` an&$d breathta <_ki$]ng`)# action*/, socia\l%) criti-]cism and brutal violence. The fi_>:lm is si*?
mply st
*@unn
(i)ng &$ @fro+:
?m" the beginning to th`-e end, which  is._(<! even ,*"intensif/ied by the?* bri `!lli a;'?nt score, a[' <#*$"coll+;:_ab
or;'&ation [of +/.^the fam$ ous* *comp:o'^+ser L@uis E[, nríquez Bacalov and the Italia;%n ^_Pro(
gr\=essive Roc) *k '/b+and Osanna. Ug+o Pi-+azz*a must be on%[@#e of t!he m,\ost c[-harismatic/>@ g^;a?$ng@$s&+ter char.acter;s ever in cinem"a%, and Gastone Mos(.>chin was the prefect  cho\*ice "for th^*e role. M\oschin delivers a brilliant perfo)(rmance`, and the r!
)(est of the ca\+st, is]= als;o g,>=reat.( Mari,=o Adorf i<@s ir$a=
scible l+ike.% a rab^id dog a
%s the ferocio-%us@  gang-"s- ter *R)occo, a ';^,role that fits h
#im lik?>e>[! a glo .:ve. The great Lio^ ?nel Stande`r fits pe+rfectly in his! >> role of the ><Ameri%
can
%Mafi
a D;'on.　　The two cop charact&$ers ,\in the f ilm are played by two of the great
]`(es t regu &_la*!/rs of It- ]alia'n genre-'cinema, Lu-*igi Pistilli and Frank Wolff (-#
who commi??tted suicide befo:)re the film was r^.el?eased)"/. The ravis\)hing Barb>ar">^a. Bouchet is a\
stonishing an:d ,\+>i@.ncredibly sex+ y@" ` in t$he rol?e of U=.,"go Piazza's stripper .girlf":@riend. Bou"chet +is bot%h a stunnin%g beauty ` and\) + \an exc e>-llent actress and this is doubtlessly one of her m$<o[*(st ); memorable rol(es. This is / also;$ a political fi@#lm and direct]^or Di Leo embed[ded a lot/ of socia@,l criti ],cism a%`bout t:._opic s l:ike corrup*(:ti
on.- T^#his f('ilm s i) mply has eve$\rything one can po_\+ssibly desire[\ in c&inem
*a. Films like Mi$lano Calibro 9 ar> >e the reason why I love cinema. This `is\* "+an absolute master,piece in all regar+ds &and, wi.thout !exa.ggeration, one(_ of the greatest Crime fl ic;=%ks ev ^er made![ The ingenious opening scene alone is more memorable tha] \`n -&m) ost films&? get in)/! $"=two <ho\urs.