卧龙'战警

剧情简介

Ha<@ving witn.
@es]=s`(e "d .his j-unk$-(@ie f;;
ath;er +)killed Ru=#?ssell St evens grows u p <>to become a po!$[=licem!an an.$d make a di, $fference. !$Wh@.*e*n#_. he is <)`off
ered, ! an u
 +nde^rco v?"'e^r'\ job by Ger`<ald Carve\_]=_r he ac"/cepts and begin+!s:+. t^)o bui ld =&a-:# relationship wi[]t>$.^ h Da?,?vid Jaso#>:n in order to ge!!t to the m[ai.]n dea `lers. However as, he is fo()?rce:,d to de?al drug^>:(/s and kill to keep his cover he; finds the li
nes b%et
#wee-;>/n cop and criminal\=<( being l]`:os_t – is[* ;%<;he &,a cop pretending to be a dealer or a dealer pretendin$[g*)+ to *b/:@e a cop　　La
=]rry (as he w\+as th'[>en) Fishburne's first.^ lead role w
, `.as a ty#>"picall % y da<-rk veh @
icle. The story ?is the usual one of cop los_=,ing h)_-imsel>?f when undercove],=!r#, however it manages  to b)e :mo
/re than 'that for.-'_ mo(^+.st* , of)\ th(/
e t$ime. Co-wri)&t//+ten by Tolkin, who wrote The <Player, thi("s natu(rally has a nice cynic^al @^edge to it]$ , w,hen" it looks at the #.US's hyp'ocritica l
?appr< oac`h to drug control and t'[he po li;!@tical l^,"ink^\[s between, the street h
?ustler=$
s and the political high ro\/ller\s who+= court respe+<ct<<abil*.`ity. The+* stor!y \does eventua,/l^- l@#y#+ se:!t* tle into a: traditio)-n`'al setting but >=ev
/en then it wo)_@rks well  a\'s a thriller).　　T-(=h e?, multi-t&*^ale nted Bi! ":l%+[l D  u>$"ke % dire
cts well wit^!h a gritty feel and a few nice touche:s'&*. Howe;v er/ < sev/:eral th&*[i>ngs are a bit iffy.;]= F.or most of_ t%<?h^e film Fishbu$r! ne's $narr*:ation>( (voice over i[_s a bi+t li<)#ke =^a cross between Apocalyp se No*:-w and*-$ Blade/ Runner – it][ com(?es/
? a "[_cross a s a li:ttle too da+rk? and he,!avy and als /o, ex.!plai'/ns !things
';like we c\an!
@^'t >+figure it out`+ ou@ rselves.<( However once you get into] th(%`e film it's not` \ as big a dea*`#l."$;+ My main p^rob<-#lem lies with .;"th=e chara@&c
t'`ers.　　Fishburne is excel(&lent, a real &
model of+ under#("lyi ^#ng $]ange><r'_ and viole+!'nce[$#,;#_ G+& oldblum @)is good but perhaps `a l'>ittle OTT o!.n th`e _&yu&ppie[ vi:olence thing$^, but_
 ther(/e's good!_% supp`ort fro"m ,Smith an@d Spin City's be^#[autiful (and often und_/=eru?[*sed "'–! but n?]\ot here) Vic`t"^]
oria &/Dil`l(ard.^ \ However th<e tw]o m_a. in whit_"e c$haracters (Goldblum and #+]S mith) ;:`.`are;  both smea,)r;,ed with r_](acist insinuation.s #&/– S("m;"ith app'$ears % t#`o+ i%*ns ult his black+ of'<ficers and doesn' t care =\^*_about t$,##$he^ junkies,=[`* wh%il$e Gold#\.blu %"-m is fascinated about all ;* thi$!n#<_gs black a!nd talks about) t;"hem as wild bea("utiful beasts % and lo ;ve=$/s having sex; !-with blac:k'<$ :. Th^\es&;e things aren't a majo
r problem, but with basically o_nly two white characters in it, [it's a little ";:@wor!!r'.ying ` that both are  -given <th-('at `edge.　　However the@?\se (;are! minor comp/"laints* 
t.<hat get lost with a good t!'hrill%?e"'@r. F+i
shburne exce]ls a-[nd Duke delivers a st,(`ory that is a good* thriller but also has a jad//ed, subv;"ers *ive&.)< edge.